The Fourth Wall debuted a new body of work by artists George Gibson and
Grace Collins that focuses on breaking the fourth wall — a cinematic and theatrical
device where actors address the audience directly, often by looking straight into the camera. Via elements of printmaking, sculpture and self publishing, the duo ask: can this sense of connection be recreated in a gallery setting? ​Drawing inspiration from HOME’s history and film programme, ‘behind-the-scenes’ magic of DVD extras and the kind of obsessive internet deep-dives that film fans know all too well, the work is an ongoing conversation of world-building and fandom — one that includes artists, cultural workers, gallery visitors, film fans (and, most importantly, you). Visit the exhibition, to see your reflection in mirrored artworks, and take away manifestos and memorabilia, and interrogate how we could move beyond the boundaries of this gallery space.

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The Fourth Wall has been developed through research and consultation with HOME Staff, the HOME Young Film collective, HOME audiences and continues to develop now, here, with you, in the thoughts that come from reading this exhibition text. How is the fourth wall of a gallery broken? Does this space even have four walls?